Production
For decades, Wolverine's origins had been a mystery. After the success of the first X-Men film, it was decided if the character's origin wasn't told in the comic, it would be told on the film.
Paul Jenkins wanted certain characters, artwise and relationship-wise, to resonate with those knowledgeable about Wolverine's character history. Smitty was supposed to look somewhat like Cyclops, and his relationship with Jean Grey lookalike Rose to be what sparks Wolverine's jealousy in his fictional future. Similarly, Dog was to be a representation of Sabretooth, Wolverine's greatest nemesis.
When an interviewer asked Paul Jenkins if the character Dog Logan was Sabretooth, Jenkins replied that he had not intended it to be him, but said he wouldn't have a problem with another writer doing it later. No writer has yet written a story confirming a connection between Dog Logan and Sabretooth as canon in the Marvel Universe.
In the video game X-Men Origins: Wolverine, a trivia caption on the loading screens says Sabretooth's nickname as a boy was "Dog".
Read more about this topic: Origin (comics)
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)