Oriental Stories, later retitled The Magic Carpet Magazine, was a pulp magazine of 1930-34, an offshoot of the famous Weird Tales.
Like its parent, it was published by J.C. Henneberger's Rural Publications and edited by Farnsworth Wright. As its titles indicate, the magazine specialized in adventure and fantasy stories with Oriental settings and elements. Its stories were largely written by the same distinctive group of authors that filled the pages of Weird Tales, including Robert E. Howard, Otis Adelbert Kline, E. Hoffmann Price, Clark Ashton Smith, and Frank Owen, among others.
The magazine struggled financially for the entirety of its existence (as indeed did Weird Tales); it was published first bi-monthly, then quarterly, during the grimmest years of the Great Depression. Volume 1 of Oriental Stories consisted of 6 issues that appeared on newsstands from October 1930 through Autumn 1931; Volume 2 comprised only 3 issues in the first half of 1932 (Winter, Spring, Summer). After a six-month hiatus, the first of four quarterly issues of Volume 3 appeared in January 1933, but with the new title The Magic Carpet. ("Oriental Stories combined with The Magic Carpet Magazine," read the masthead of Vol. 3 No. 1, January 1933.) One notable contributor to The Magic Carpet was popular pulp author H. Bedford-Jones. Still unable to muster sufficient circulation, Volume 4 started and ended with the single issue No. 1 in January 1934. The Magic Carpet was then defunct.
Its brief existence and scarcity eventually made The Magic Carpet an object of romance and nostalgia among followers of Weird Tales and fantastic literature. In particular, fans and collectors of Robert E. Howard's works, oppressed by the magazine's unavailability in the years after Howard's suicide in 1936, helped elevate The Magic Carpet to something close to legendary status.
Famous quotes containing the words oriental and/or stories:
“Europe has always owed to oriental genius its divine impulses. What these holy bards said, all sane men found agreeable and true.”
—Ralph Waldo Emerson (1803–1882)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)