Works
Private Jokes, Public Places was a critical off-Broadway hit and was singled out as one of the top 6 new plays of the decade 2000/10 by the Wall Street Journal., The play is regularly performed by students at architecture schools to mark the beginning of the year.
The Last Word..., debuted Off-Broadway in 2007 in New York City, starring Daniel J. Travanti in the title role. Ed Asner did the first reading at The Malibu Stage Co.
West Bank, UK - a musical comedy about a Palestinian and Israeli forced to share a rundown rent-controlled apartment - debuted at La MaMa in 2007/08, and was a co-production with the Malibu Stage Co.
The Bilbao Effect - the second in a series on contemporary architecture - played at the Center for Architecture in New York in May/June 2010.
Private Jokes, Public Places, The Last Word... and "The Bilbao Effect" are published by Dramatists Play Service. Private Jokes, Public Places is also published by Playwrights Canada Press along with excerpts that appear in several books about design, and is also translated into Romanian and Japanese.
La Compagnie was later turned into Fashion Avenue, a pilot for Castle Rock and CBS.
Safdie wrote the 1998 film You Can Thank Me Later, based on his play Hyper-Allergenic. It stars Ellen Burstyn, Amanda Plummer, Ted Levine, Mark Blum, Mary McDonnell and Geneviève Bujold. It won the Grand Jury Prize at the Newport Film Festival. It was subsequently premiered on Showtime in the United States.
Safdie also co-wrote the 2007 Israeli film Bittersweet, directed by Doron Benvenisti, which played at the Jerusalem and Montreal World Film Festivals.
He is a contributor to Metropolis Magazine, and has also written for Dwell, The Forward, The New Republic, The Jerusalem Post, Israel National News, The Times of Israel, and Canadian Jewish News.
Read more about this topic: Oren Safdie
Famous quotes containing the word works:
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)