History
Beginning in 1903, odd artifacts were displayed in hallways and alcoves in Portland City Hall arranged by Colonel L. L. Hawkins. When the collection was evicted in 1936, about 12,000 artifacts were stored throughout the city.
On November 5, 1944, the Oregon Museum Foundation was founded with the mission of establishing an Oregon Museum of History, Science, and Industry. It displayed its first collection of natural history objects at the Portland Hotel. Subsequent small exhibits occurred around town to generate interest and donations. In 1949, a house at 908 NE Hassalo was donated to establish the museum. Within a year, the Pacific Northwest's first public planetarium opened in a dome on the front lawn.
By 1955, OMSI's annual attendance had grown to 25,000. The need for expansion led to volunteers building a new site at Washington Park, completing the original goal of a hands-on museum. (That building is now occupied by the Portland Children's Museum.) This opened to the public on August 3, 1958, following a formal dedication by the governor on June 7. A planetarium was again included. The new building at the southwest corner of what was then Hoyt Park (now part of Washington Park) was located adjacent to the then-new site of the Portland Zoo (now the Oregon Zoo), which began a one-year phased move in the same month as the new OMSI opened. The two attractions remained neighbors, sharing a parking lot, until 1992.
Read more about this topic: Oregon Museum Of Science And Industry
Famous quotes containing the word history:
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)
“It takes a great deal of history to produce a little literature.”
—Henry James (1843–1916)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)