History
A Danish religious confraternity called the Fellowship of the Mother of God, limited to about fifty members of the Danish aristocracy, was founded during the reign of Christian I during the 15th century. The badge of the confraternity showed the Virgin Mary holding her Son within a crescent moon and surrounded with the rays of the sun, and was hung from a collar of links in the form of elephants much like the present collar of the Order. After the Reformation in 1536 the confraternity died out, but a badge in the form of an elephant with his profile on its right side was still awarded by Frederick II. This latter badge may have been inspired by the badge of office of the chaplain of the confraternity which is known to have been in the form of an elephant. The order was instituted in its current form on 1 December 1693 by King Christian V as having only one class consisting of only 30 noble knights in addition to the Grand Master (i.e., the king) and his sons. The statutes of the order were amended in 1958 by a Royal Ordinance so that both men and women could be members of the order.
The elephant and castle design derives from an elephant carrying a howdah, the familiar castle replacing the unfamiliar howdah, and finds use elsewhere in European iconography, as discussed at howdah.
Read more about this topic: Order Of The Elephant
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“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
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“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
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