Reception
When Ophelia was first publicly exhibited at the Royal Academy in London in 1852, it was not universally acclaimed. A critic in The Times wrote that "there must be something strangely perverse in an imagination which souses Ophelia in a weedy ditch, and robs the drowning struggle of that lovelorn maiden of all pathos and beauty", while a further review in the same newspaper said that "Mr. Millais's Ophelia in her pool ... makes us think of a dairymaid in a frolic". Even the great art critic John Ruskin, an avid supporter of Millais, while finding the technique of the painting "exquisite", expressed doubts about the decision to set it in a Surrey landscape and asked, "Why the mischief should you not paint pure nature, and not that rascally wirefenced garden-rolled-nursery-maid's paradise?"
In the 20th century, the painting was championed by surrealist painter Salvador Dalí. In an article published in a 1936 journal, he wrote, "How could Salvador Dalí fail to be dazzled by the flagrant surrealism of English Pre-Raphaelitism. The Pre-Raphaelite painters bring us radiant women who are, at the same time, the most desirable and most frightening that exist." In 1906, Japanese novelist Natsume Sōseki called the painting "a thing of considerable beauty" in one of his novels; since then, the painting has been highly popular in Japan. It was exhibited in Tokyo in 1998 and travelled there again in 2008.
Read more about this topic: Ophelia (painting)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)