Opera Boston - Productions

Productions

Dates in parenthesis are the dates of the Opera Boston production.The list is limited to only those works which are rarely performed.

  • June 2003 Opera Unlimited
    • Powder Her Face by Thomas Adès
    • Full Moon in March by John Harbison
    • Touissaint Before the Spirits by Elena Ruehr
    • The Cask of Amontillado by Daniel Pinkham
    • Garden Party by Daniel Pinkham
  • 2003–2004 Season
    • Candide by Leonard Bernstein (November 2003)
    • Nixon in China by John Adams (March 2004)
    • Luisa Miller by Giuseppe Verdi (April–May 2004)
  • 2004–2005 Season
    • La vie parisienne by Jacques Offenbach (October 2004)
    • Alceste by Christoph Wilibald Gluck (January 2005)
    • The Crucible by Robert Ward (April 2005)
  • 2005–2006 Season
    • The Consul by Gian Carlo Menotti (October 2005)
    • L'étoile by Emmanuel Chabrier (March 2006)
    • Lucrezia Borgia by Gaetano Donizetti (April–May 2006)
  • June 2006 Opera Unlimited
    • Angels in America by Péter Eötvös (North American premiere)
  • 2006–2007 Season
    • La clemenza di Tito by Wolfgang Amadeus Mozart (October 2006)
    • The Rise and Fall of the City of Mahagonny by Kurt Weill (February 2007)
    • The Pearl Fishers by Georges Bizet (May 2007)
  • 2007–2008 Season
    • Ainadamar by Osvaldo Golijov (October 2007)
    • Semele by George Frideric Handel (February 2008)
    • Ernani by Giuseppe Verdi (May 2008)
  • 2008–2009 Season
    • Der Freischütz by Carl Maria von Weber (October 2008)
    • The Nose by Dmitri Shostakovich (February 2009)
  • 2009–2010 Season
    • Tancredi by Giocchino Rossini (October 2009)
    • Madame White Snake by Zhou Long (February 2010) (world premiere)
    • La Grande-Duchesse de Gérolstein by Jacques Offenbach (April–May 2010)

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Famous quotes containing the word productions:

    “It is well known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death.”
    —Herman Melville (1819–1891)

    “Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.”
    —Thomas Brackett Reed (1839–1902)

    “Eternity is in love with the productions of time.”
    —William Blake (1757–1827)