Style
The characters are actually hand "puppets" wearing only eyes and sometimes hair.
The thumbs of the "puppets" are used to represent mouth movement, and the fingers flutter, clench, and make other movements to indicate emotions (when the thumb scratches the side of the hand, that symbolizes that the character is thinking or feeling confused.) The hands also serve usual purposes, such as holding objects and turning doorknobs. A majority of the characters are right-handed, but three (Mrs. Johnson, Mimi and Paula) are left-handed.
The speech of the characters consists of simple vocabulary and simple sentences. For example, "Uma, school, first day" is said in place of "It's Uma's first day of school" or "It's my first day of school."
Read more about this topic: Oobi (TV series)
Famous quotes containing the word style:
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)