Music
The music was composed by Andrew Lloyd Webber. The key is dependent on the production;, in London it was D major (Only he was in C Major); Germany, A major, later B major; Broadway, C Major; Australia/Japan, A major; and in the UK tour B Major. It later transposes up a tone twice in all versions but London.
The tune is also used in the 'Starlight Sequence', along with the Starlight Express theme. The "Only You" theme represents discovery; of Rusty's self belief, of Pearl's love.
Underneath the tune is a very simple chord sequence. Variations on the sequence have been used within songs such as Our Last Summer by ABBA, Calling Occupants of Interplanetary Craft by Klaatu, Don't Walk Away from Xanadu and Easy Like Sunday Morning by Lionel Richie (similar to 'Poppa's Blues', which uses a traditional blues chord sequence and bassline). The sequence (in Roman Numerals) is as follows;
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- I - III - IV - V - I - III - IV - V - III - VI - II - IV - V - I
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Read more about this topic: Only You (Pearl And Rusty)
Famous quotes containing the word music:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
—Harper Lee (b. 1926)
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427–347 B.C.)