Production
Shooting of the film began in October 2006. It was released in Thailand on December 5, 2008. In July 2008, rumor surfaced that Tony Jaa had disappeared from the production set. Prachya Pinkaew commented to the press that Tony Jaa had disappeared from the set for almost two months, leaving the film unfinished; and that the delay caused more than 250 million baht damage due to the breach of contract with the Weinstein Company who had also canceled the contract. Later in an interview with the press, Tony Jaa stated that the production was on hiatus because Sahamongkol Film could not release the obligated funding for the film. Sources within Ayara Film, the subsidiary of Sahamongkol Film that handled Ong Bak 2 production, stated that no more funding came from Sahamongkol after it took over the budget and management role from Tony Jaa from May 2008 to July 2008.
Tony Jaa and the owner of Sahamongkol Film later made a joint press conference stating that the production and funding would continue after several concessions were agreed upon between Tony Jaa and Sahamongkol. Famed Thai action choreographer and Jaa's mentor Panna Rittikrai was brought onto the project in the capacity of director to help complete the film. In addition, Rittikrai added martial artist Dan Chupong to the cast.
An international trailer for the movie was released during filming, showing the fictional setting in which Tony Jaa's character is being rescued in the jungle by a group of martial artists of various styles, and trained to unify these different systems. However, production still encountered financial problems as it came to a close. In order to complete the production on time, the filmmakers decided to end Ong Bak 2 with a cliffhanger ending, and then continue the story in a sequel, Ong Bak 3, which was announced to begin production for a 2009 release.
Read more about this topic: Ong Bak 2
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)