Theme Song and Opening Sequence
The show's theme song "Living One on One", was written and performed by Shanice (wife of the series star Flex Alexander) and Tonex with music composed by Jonathan Wolff and Becky Kneubuhl (who composed the scene change music for the first season). The theme song was slightly shortened and remixed by Detail and Ray J for the show's fifth season. A truncated version of the theme stripped of all lyrics except the words "One on One", was used as a closing theme, heard only in syndicated airings.
The opening titles for the first three seasons featured the cast playing basketball on an outdoor court (though it also showed some characters doing other things at that same setting, e.g., Spirit checking out a boy who walks past her, and Arnaz playing the guitar only to be interrupted by a basketball bouncing in his direction that fell out of Duane's hand and he chases him). The fourth season opening titles featured the cast in a dressing room getting ready for a night on the town, the end of the sequence featured a pan shot of the cast wearing different outfits in the mirror than what they are wearing in the beginning of the pan shot. The opening sequences for the first four seasons included a closeup shot of Flex, Breanna and Arnaz before cutting back to a shot of the entire cast. The final season's opening titles featured the main cast (Breanna, Arnaz and new characters D-Mack, Sara, Cash and Lisa) at various places at the Venice Beach Boardwalk, before meeting back at the beach house to take a picture together.
Read more about this topic: One On One (TV Series)
Famous quotes containing the words theme, song, opening and/or sequence:
“One theme links together these new proposals for family policy—the idea that the family is exceedingly durable. Changes in structure and function and individual roles are not to be confused with the collapse of the family. Families remain more important in the lives of children than other institutions. Family ties are stronger and more vital than many of us imagine in the perennial atmosphere of crisis surrounding the subject.”
—Joseph Featherstone (20th century)
“There’s nothing that makes you so aware of the improvisation of human existence as a song unfinished. Or an old address book.”
—Carson McCullers (1917–1967)
“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“Reminiscences, even extensive ones, do not always amount to an autobiography.... For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form—it may be called fleeting or eternal—is in neither case the stuff that life is made of.”
—Walter Benjamin (1892–1940)