Critical Reception
"One of Those Days" received generally positive reviews from music critics. Sean Daly of The Washington Post commented that the song was "likably bouncy". Craig Seymour of The Atlanta Journal-Constitution called the song a "breezy girls'-night-out" cut. An anonymous writer for Blues & Soul wrote that the song "is an excellent slice of soulful mid-beat head nod R&B". They also commended the sampling of "Between the Sheets", noting that it is "effective". Ernest Hardy of LA Weekly had different opinions of the song. Although he deemed it an "underrated single" at first and wrote that it "leaps beyond its work-sucks-the-rent's-late-I-need-a-date griping into the realm of existential letting", he later commented that the song is "grounded in retort". Chuck Taylor of Billboard remarked that the song marks a "triumphant return of one of the great singers, who delivers the goods in glorious voice." He further commented that the production of the song would be able to convince her "pop fans", and also praised the Isley Brothers sampling. Sal Cinquemani of Slant Magazine commented that the song could have been titled "How Whitney Got Her Groove Back". He noted that the "smooth" track allows Houston to offer a restrained delivery of her vocals. Keysha Davis of BBC Music called the sampling of "Between the Sheets" as "clever". Nakesa Mumbi Moody, of the Associated Press, wrote it was "sexy" and "dreamy". Writing for The Boston Globe, Joan Anderman called it a "breezy" track with a "disturbingly trite" theme. The German newspaper Der Tagesspiegel, in their review for "One of Those Days" called the song "schmaltzy" and wrote that it could have been done in the 1980s. Jimmy Draper of San Francisco Bay Guardian noted that "the song seems so anticlimactic in comparison to the real-life pot". Jon Caramanica of Rolling Stone called the track "creaky and unconvincing".
Read more about this topic: One Of Those Days
Famous quotes containing the words critical and/or reception:
“An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark—that is critical genius.”
—Billy Wilder (b. 1906)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)