Music
The One Foot in the Grave theme song was written, composed and sung by Eric Idle. A longer version was produced for the special "One Foot in the Algarve", released as a single with five remixes and a karaoke version in November 1994. Idle included a live version of the song on his album Eric Idle Sings Monty Python. It is preluded by a similar adaptation of "Bread of Heaven" to that used in the episode "The Beast in the Cage" by disgruntled car mechanics. The music on the TV series is accompanied at the beginning and end of each episode by a Tortoise. The series also made extensive use of incidental music, composed by Ed Welch, which often hinted at a particular genre to fit the mood of the scenes, frequently incorporating well-known pieces of music such as "God rest you merry, gentlemen" or Intermezzo from Jean Sibelius' Karelia Suite. In the Christmas special "Endgame" during Margaret's alleged death scene, a compilation of clips from past episodes are accompanied by the song "River Runs Deep" performed by J. J. Cale. The final episode ended with a montage of some of the mishaps Victor encountered, which were mentioned in the episode – backed by "End of the Line" by The Traveling Wilburys.
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Famous quotes containing the word music:
“This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air; thence have I followed it,
Or it hath drawn me rather.”
—William Shakespeare (1564–1616)
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)