Influence
On the Genealogy of Morality is considered by many academics to be Nietzsche's most important work, and, despite its polemical style, out of all of his works it perhaps comes closest to a systematic and sustained exposition of his ideas.
In philosophy, genealogy is a historical technique in which one questions the commonly understood emergence of various philosophical and social beliefs by attempting to account for the scope, breadth or totality of ideology within the time period in question, as opposed to focusing on a singular or dominant ideology. In epistemology, it has been first used by Nietzsche and later by Michel Foucault, who tried to expand and apply the concept of genealogy as a novel method of research in sociology (evinced principally in "histories" of sexuality and punishment). In this aspect Foucault was heavily influenced by Nietzsche.
Others have adapted "genealogy" in a looser sense to inform their work. An example is the attempt by the British philosopher Bernard Williams to vindicate the value of truthfulness using lines of argument derived from genealogy in his book Truth and Truthfulness (2002). Stephen Greenblatt has said in an interview that Genealogy of Morality was the most important influence on his life and work.
Inspired by Nietzsche's On The Genealogy of Morality Sigmund Freud wrote Civilization and its Discontents.
Read more about this topic: On The Genealogy Of Morality
Famous quotes containing the word influence:
“They tell us that women can bring better things to pass by indirect influence. Try to persuade any man that he will have more weight, more influence, if he gives up his vote, allies himself with no party and relies on influence to achieve his ends! By all means let us use to the utmost whatever influence we have, but in all justice do not ask us to be content with this.”
—Mrs. William C. Gannett, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 5, ch. 8, by Ida Husted Harper (1922)
“The woman who can’t influence her husband to vote the way she wants ought to be ashamed of herself.”
—E.M. (Edward Morgan)
“If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?”
—David Hume (1711–1776)