"On Murder Considered as one of the Fine Arts" is an essay by Thomas De Quincey first published in 1827 in Blackwood's Magazine. The essay is a fictional, satirical account of an address made to a gentleman's club concerning the aesthetic appreciation of murder. It focuses particularly on a series of murders allegedly committed in 1811 by John Williams in the neighborhood of Ratcliffe Highway, London. The essay was enthusiastically received and led to numerous sequels, including "A Second Paper on Murder Considered as one of the Fine Arts" in 1839 and a "Postscript" in 1854. These essays have exerted a strong influence on subsequent literary representations of crime and were lauded by such critics as G. K. Chesterton, Wyndham Lewis and George Orwell.
De Quincey also refers to the Williams murders in his On the Knocking at the Gate in Macbeth.
Famous quotes containing the words murder, considered, fine and/or arts:
““If Steam has done nothing else, it has at least added a whole new Species to English Literature ... the booklets—the little thrilling romances, where the Murder comes at page fifteen, and the Wedding at page forty—surely they are due to Steam?”
“And when we travel by electricity—if I may venture to develop your theory—we shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page.””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“This nightmare occupied some ten pages of manuscript and wound off with a sermon so destructive of all hope to non-Presbyterians that it took the first prize. This composition was considered to be the very finest effort of the evening.... It may be remarked, in passing, that the number of compositions in which the word “beauteous” was over-fondled, and human experience referred to as “life’s page,” was up to the usual average.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Yet when the houre of thy designe
To answer these fine things shall come,
Speak not at large, say, I am thine;
And then they have their answer home.”
—George Herbert (1593–1633)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (1874–1946)