Olomouc - City Monuments

City Monuments

Olomouc contains several large squares, the chief of which is adorned with the Holy Trinity Column, designated as a UNESCO World Heritage Site. The column is 115 ft (35 m) high and was built between 1716 and 1754. The city has numerous historic religious buildings. The most prominent church is Saint Wenceslas cathedral founded before 1107 in the compound of the Olomouc Castle. At the end of the 19th century, the Cathedral was rebuilt in the neo-Gothic style. It kept many features of the original church, which had renovations and additions reflecting styles of different ages: Romanesque crypt, Gothic cloister, Baroque chapels. The highest of the three spires is 328 ft (100 m), which makes it the second-highest spire in the country (after Cathedral of St. Bartholomew in Plzeň). The church is next to the Bishop Zdík's Palace (also called the Přemyslid Palace), a Romanesque building built after 1141 by the bishop Henry Zdík. Its remains one of the most precious monuments of Olomouc: such an early bishop's palace is unique in Central Europe. The Přemyslid Palace used as the residence of Olomouc dukes from the governing Přemyslid dynasty used to stand nearby.

Saint Maurice Church, a fine Gothic building of the 15th century, has the 6th-largest church organ in Central Europe. Saint Michael's Church is notable. The Neo-baroque chapel of Saint John Sarkander stands on the site of a former town prison. At the beginning of the Thirty Years' War, the Catholic priest John Sarkander was imprisoned here. Accused of collaboration with the enemy, he was tortured, but did not reveal anything because of the Seal of Confession, and died. The torture rack and Sarkander’s gravestone are preserved here. He was canonized by Pope John Paul II during his visit in Olomouc in 1995.

John Paul II also visited Svatý Kopeček ("The Holy Hillock"), which has the magnificent Baroque church of the Visitation of the Virgin Mary. It overlooks the city. The Pope promoted the church to Minor Basilica. Several monasteries are located in Olomouc, including Hradisko Monastery, Convent of Dominican Sisters in Olomouc and others.

Other notable destinations are the Olomouc Orthodox Church, consecrated to St. Gorazd, and the Mausoleum of Yugoslav Soldiers. This monument commemorates 1,188 Yugoslav soldiers who died during WWI in local hospitals after being wounded on battlefields.

The principal secular building is the town hall, completed in the 15th century. It is flanked on one side by a gothic chapel, now adapted and operated as a museum. It possesses a tower 250 ft (76 m) high, adorned with an astronomical clock in an uncommon Socialist Realist style. (The original 15th c. clock was destroyed at the end of World War II. It was reconstructed in 1947–1955 by Karel Svolinský, who used the government-approved style of the time, featuring proletarians rather than saints.

Olomouc is proud of its six Baroque fountains. The fountains survived in such number thanks to the city council's caution. While most European cities were removing old fountains after building water supply piping, Olomouc decided to keep them as water reservoirs in case of fire. The fountains feature ancient Roman motifs; five portray the Roman gods Jupiter (image), Mercury (image), Triton (image), Neptune and Hercules (image). One features the emperor Julius Caesar, the legendary founder of the city (image). In the 21st century, an Arion fountain was added to the main square, inspired by the older project.

In the largest square in Olomouc (Horní náměstí - Upper Square), in front of the astronomical clock, is a scale model of the entire old town in bronze.

Read more about this topic:  Olomouc

Famous quotes containing the words city and/or monuments:

    All urbanization, pushed beyond a certain point, automatically becomes suburbanization.... Every great city is just a collection of suburbs. Its inhabitants ... do not live in their city; they merely inhabit it.
    Aldous Huxley (1894–1963)

    If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.
    Leon Trotsky (1879–1940)