Olmec - Art

Art

The Olmec culture was first defined as an art style, and this continues to be the hallmark of the culture. Wrought in a large number of media – jade, clay, basalt, and greenstone among others – much Olmec art, such as The Wrestler, is surprisingly naturalistic. Other art expresses fantastic anthropomorphic creatures, often highly stylized, using an iconography reflective of a religious meaning. Common motifs include downturned mouths and a cleft head, both of which are seen in representations of were-jaguars.

In addition to making human and human-like subjects, Olmec artisans were adept at animal portrayals, for example, the fish vessel to the right or the bird vessel in the gallery below.

While Olmec figurines are found abundantly in sites throughout the Formative Period, the stone monuments such as the colossal heads are the most recognizable feature of Olmec culture. These monuments can be divided into four classes:

  • Colossal heads;
  • Rectangular "altars" (more likely thrones) such as Altar 5 shown below;
  • Free-standing in-the-round sculpture, such as the twins from El Azuzul or San Martin Pajapan Monument 1; and
  • Stelae, such as La Venta Monument 19 above. The stelae form was generally introduced later than the colossal heads, altars, or free-standing sculptures. Over time, the stelae changed from simple representation of figures, such as Monument 19 or La Venta Stela 1, toward representations of historical events, particularly acts legitimizing rulers. This trend would culminate in post-Olmec monuments such as La Mojarra Stela 1, which combines images of rulers with script and calendar dates.

Read more about this topic:  Olmec

Famous quotes containing the word art:

    Literary gentlemen, editors, and critics think that they know how to write, because they have studied grammar and rhetoric; but they are egregiously mistaken. The art of composition is as simple as the discharge of a bullet from a rifle, and its masterpieces imply an infinitely greater force behind them.
    Henry David Thoreau (1817–1862)

    Just as all thought, and primarily that of non-signification, signifies something, so there is no art that has no signification.
    Albert Camus (1913–1960)

    Adultery is the vice of equivocation.
    It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together you’ve made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors—neutral gray.
    Alexander Theroux (b. 1940)