Olivier Zahm - Career

Career

Olivier Zahm worked as a freelance arts journalist contributing to Artforum, Flash Art, Art Press and Texte Zur Kunst during the 1980s and early 1990s.

Zahm is an art curator and has selected exhibitions for PS1, MoMA, and Centre Pompidou.

In 1992, Zahm founded Purple Prose magazine (1992–1998) with Elein Fleiss—the publication has also evolved spin-offs like Purple Fiction (1992–1998), Purple Sexe (1998–2001), Purple magazine (1998–2003), Purple Journal (2004–present), Purple Fashion (1995–1998, 2004–present), and Purple Books, a publishing house. The Purple Anthology was published by Rizzoli in 2008, encompassing the first 15 years of Purple.

The "realistic", sometimes dubbed "anti-fashion"-, aesthetics of Purple was a reaction against the glamour of the 80’s, and can be linked with the global counterculture of that time, with the work of Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti.

Since 2004, Zahm has been editor-in-chief of Purple Fashion, a biannual magazine attempting to bridge the worlds of art and fashion. Zahm also runs the Paris-based think tank Purple Institute, an art direction society and consulting company aimed at creating links between the art world and industry. He also created "La communauté des amants".

Olivier Zahm founded Purple Diary in 2009 and had a show of his photographic work at Colette in March 2010.

Read more about this topic:  Olivier Zahm

Famous quotes containing the word career:

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)