Olivier Martinez - Career

Career

In 1994, Martinez won a César Award as "Most Promising Actor" for his role in Un, deux, trois, soleil (1993). This was followed by a leading role in Jean-Paul Rappeneau period film The Horseman on the Roof (Le Hussard sur le Toit) in 1995 in which he starred alongside Juliette Binoche as an Italian nobleman. The film was hailed as the most expensive French film at that time in history but failed to reach its $35 million budget. In 1996/7 he appeared in Bertrand Blier's romantic comedy My Man (Mon Homme) alongside Anouk Grinberg, Gérard Lanvin, and Valeria Bruni Tedeschi. Later in 1997 he played a leading role in Bigas Luna's drama The Chambermaid on the Titanic (La Femme de chambre du Titanic) alongside Romane Bohringer, set during the time of the Titanic's sinking voyage in 1912. Martinez portrays a French foundry worker who wins a strongman contest and the its prize of a trip to Southampton to see the launch of the Titanic. The film was well-received; Mick LaSelle of the San Francisco Chronicle praised what he felt was a rare honest portrayal of male sexuality by Martinez.

Martinez first came to mainstream attention in Hollywood films with his performance in Julian Schnabel's Before Night Falls (2000) opposite Javier Bardem and Johnny Depp. The screenplay is based on the autobiography of the same name of Reinaldo Arenas, which was published in English in 1993. The film was highly critically acclaimed, although Martinez's performance was overshadowed by that of Bardem in the eyes of critics. He was later noted for his performance opposite Diane Lane in Unfaithful (2002). He has since appeared in a television adaptation of The Roman Spring of Mrs. Stone (2003), S. W. A. T. (2003) and Taking Lives (2004). He also starred as Gabriel in the 2007 movie adaptation of Blood and Chocolate, a popular book.

Read more about this topic:  Olivier Martinez

Famous quotes containing the word career:

    “I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
    —William Cobbett (1762–1835)

    “I restore myself when I’m alone. A career is born in public—talent in privacy.”
    —Marilyn Monroe (1926–1962)

    “Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
    —Lewis H. Lapham (b. 1935)