George Oliver Onions (13 November 1873 – 9 April 1961) was an English novelist who published over forty novels and story collections. Originally trained as a commercial artist, he worked as a designer of posters and books, and as a magazine illustrator, before starting his career in writing. The first editions of his novels were published with dust jackets bearing full-colour illustrations painted by Onions himself. He married the writer Berta Ruck in 1909 and they had two sons, Arthur (born 1912) and William (born 1913). Onions legally changed his name to George Oliver in 1918, but continued to publish under the name Oliver Onions.
Besides detective fiction, social comedy, historical fiction and a science fiction novel, New Moon (1918), Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation.
Onions was awarded the James Tait Black Memorial Prize for his 1946 novel Poor Man's Tapestry.
Famous quotes containing the word oliver:
“I have seen in this revolution a circular motion of the sovereign power through two usurpers, father and son, to the late King to this his son. For ... it moved from King Charles I to the Long Parliament; from thence to the Rump; from the Rump to Oliver Cromwell; and then back again from Richard Cromwell to the Rump; then to the Long Parliament; and thence to King Charles, where long may it remain.”
—Thomas Hobbes (15791688)