Oleg Grabar - Selected Works

Selected Works

In a statistical overview derived from writings by and about Oleg Grabar, OCLC/WorldCat encompasses roughly 200+ works in 500+ publications in 13 languages and 15,000+ library holdings.

This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it with reliably sourced entries.
  • City in the Desert with Renata Holod, James Knustad, and William Trousdale, Harvard University Press, (1978)
  • Epic Images and Contemporary History: The Illustrations of the Great Mongol Shahnama (1982)
  • The Mediation of Ornament (1992)
  • The Shape of the Holy: Early Islamic Jerusalem
  • Late Antiquity: A Guide to the Post-Classical World, with Glen Bowersock and Peter Brown, Harvard University Press, (1999)
  • The Art and Architecture of Islam 650-1250, with Richard Ettinghausen and Marilyn Jenkins-Madina, Yale History of Art, 2001
  • Late Antiquity: A Guide to the Postclassical World edited with G. W. Bowersock, Peter Brown, Harvard University Press, (2001)
  • Mostly Miniatures (2002)
  • "Islamic visual culture, 1100-1800", Ashgate, (2006)
  • The Dome of the Rock, Harvard University Press, (2006)
  • "The Haram Al-Sharif: An Essay in Interpretation," BRIIFS vol. 2 no 2 (Autumn 2000).
  • Constructing the Study of Islamic Art, 83 collected articles (4 vols, 2005–06)

Read more about this topic:  Oleg Grabar

Famous quotes containing the words selected and/or works:

    There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.
    Gwen Morgan (20th century)

    Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.
    Josiah Royce (1855–1916)