Ole Black 'n' Blue Eyes
"Ole Black 'n' Blue Eyes" is a song by The Fratellis. It was the fifth and final track to be released from their debut album Costello Music. This single was released as an EP with 3 b-sides.
The single charted at #168 in the UK Singles Chart, making it the lowest charting single by the band to date although considering the fact that it was released as the fifth single (let alone a limited edition EP) from the band's highly successful, big-selling debut album. The single received some airplay on radio stations, but not much.
The Music Video for the song is a cartoon that shows the band in a western style city. They are catching some sort of crazy woman monster all throughout the video but she always gets away. The woman has black and blue eyes, most likely a reference to the song title. In the end, we learn that she also bails the Fratellis out of trouble and they eventually let her run off into the open desert freely.
The song "Mon Yous, Mon Us, But No Them" tells a story using names of the members from The Fratellis' official website. It is also used as a sign off when Jon Fratelli posts on the site and is also in the footer of the website since the revamp in 2008.
Read more about Ole Black 'n' Blue Eyes: Tracklisting
Famous quotes containing the words ole, black, blue and/or eyes:
“My ole man died—hunh—
Cussin’ me;
Ole lady rocks, bebby,
Huh misery.”
—Sterling Allen Brown (b. 1901)
“He hangs in the hall by his black cravat,
The ladies faint, and the children holler:
Only my Daddy could look like that,
And I love my Daddy like he loves his Dollar.”
—William Jay Smith (b. 1918)
“The extra worry began it—on the
Blue blue mountain—she never set foot
And then and there. Meanwhile the host
Mourned her quiet tenure. They all stayed chatting.
No one did much about eating.”
—John Ashbery (b. 1927)
“Old politicians, like old actors, revive in the limelight. The vacancy which afflicts them in private momentarily lifts when, once more, they feel the eyes of an audience upon them. Their old passion for holding the centre of the stage guides their uncertain footsteps to where the footlights shine, and summons up a wintry smile when the curtain rises.”
—Malcolm Muggeridge (1903–1990)