Oklahoma City Blue Devils

The Oklahoma City Blue Devils was the premier Southwest territory jazz band in the 1920s. Originally called Billy King's Road Show, it disbanded in Oklahoma City in 1925 where Walter Page renamed it. The name Blue Devils came from the name of a gang of fence cutters operating during the early days of the American West.

Several prominent jazz musicians were members, including Lester Young, William "Count" Basie and Buster Smith. The Blue Devils disbanded in 1933, after which Basie recruited most of the group's members to join his group, which had begun in 1931, but then changed the name to the Count Basie Orchestra.

The 1979 film The Last of the Blue Devils documents a musical reunion with Basie, Big Joe Turner and other figures from the history of southwestern and Kansas City jazz.

Famous quotes containing the words oklahoma, city, blue and/or devils:

    I know only one person who ever crossed the ocean without feeling it, either spiritually or physically.... he went from Oklahoma to France and back again ... without ever getting off dry land. He remembers several places I remember too, and several French words, but he says firmly, “We must of went different ways. I don’t rightly recollect no water, ever.”
    M.F.K. Fisher (1908–1992)

    San Francisco is where gay fantasies come true, and the problem the city presents is whether, after all, we wanted these particular dreams to be fulfilled—or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which, vivid and continuous, they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed?
    Edmund White (b. 1940)

    The modern queer was invented by Tennessee Williams. Brando in blue jeans, sneakers, white T-shirt and leather jacket. When you saw that, you knew they were available.
    Derek Jarman (b. 1942)

    The fact remains that the human being in early childhood learns to consider one or the other aspect of bodily function as evil, shameful, or unsafe. There is not a culture which does not use a combination of these devils to develop, by way of counterpoint, its own style of faith, pride, certainty, and initiative.
    Erik H. Erikson (1904–1994)