Music
Flamenco is clearly central to their sound; Ramón Giménez observed "the magic lies in the flamenco... that is the heartbeat of Ojos de Brujo's songs." However, they are definitely not pure flamenco. Xavi Turull said: "...we don't pretend to do flamenco. What we are doing is using the richness of flamenco and the richness of other music to build up something different. Maybe sometimes I would say that flamenco is the strongest ingredient, but we don't pretend to be doing flamenco." Upon the release of their first album, Vengue (1999), the flamenco fusion group did receive a lot of skepticism and criticism from the flamenco purists. Many of them refused to acknowledge that the music was true flamenco and that it strayed from its foundation, style, and structure. However, according to the group, their music reflects the past of flamenco and its multicultural roots. The gypsies themselves are diverse and multicultural, a people from the Indian subcontinent, the Middle East, Eastern Europe and Iberia. Ojos de Brujos takes this same theme and blends flamenco music with the diverse musical genres of today like hip hop and pop to modernize flamenco. For example Flamenco is combined in their music with other influences including Afro-Cuban, the rap and scratching/turntablism of Hip Hop, and Indian music. The music of Ojos de Brujo uses the drama of flamenco, but carries it along on a steady rhythmic foundation, making the group's music a closer relative to rumba catalana. Usually the focus of Ojos' songs are the vocals by Marina Abad, which move smoothly from gritty flamenco wail to authoritative rapping. The blend of music opens up their audience base and provides more opportunity to keep creating new types of sounds.
Read more about this topic: Ojos De Brujo
Famous quotes containing the word music:
“From where Pan’s cavern is
Intolerable music falls.
Foul goat-head, brutal arm appear,
Belly, shoulder, bum,
Flash fishlike; nymphs and satyrs
Copulate in the foam.”
—William Butler Yeats (1865–1939)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)