Literature
Besides the influence of French literature, small-scale literature has survived in the other Oïl languages. Theatrical writing is most notable in Picard (which maintains a genre of vernacular marionette theatre), Poitevin and Saintongeais. Oral performance (story-telling) is a feature of Gallo, for example, while Norman and Walloon literature, especially from the early 19th century tend to focus on written texts and poetry (see, for example, Wace and Jèrriais literature).
As the vernacular Oïl languages were displaced from towns, they have generally survived to a greater extent in rural areas - hence a preponderance of literature relating to rural and peasant themes. The particular circumstances of the self-governing Channel Islands developed a lively strain of political comment, and the early industrialisation in Picardy led to survival of Picard in the mines and workshops of the regions. The mining poets of Picardy may be compared with the tradition of rhyming weaver poets of Ulster Scots in a comparable industrial milieu.
There are some regional magazines, such as Ch'lanchron (Picard), Le Viquet (Norman), Les Nouvelles Chroniques du Don Balleine (Jèrriais), and El Bourdon (Walloon), which are published either wholly in the respective Oïl language or bilingually with French. These provide a platform for literary writing.
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“The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive.”
—Lionel Trilling (1905–1975)