Reception
On the whole, "Ogunde" was well received by critics. Discussing Coltrane's music in the months prior to his death in July 1967, jazz musician and educator Bill Cole noted that although Coltrane's "recording output during 1967 ... was sparse," the "quality and strength, especially on his piece 'Ogunde', show no detrimental effects from his illness." Jazz commentator Scott Yanow praised The Olatunji Concert for its "unremittingly intense music", but called it "largely unlistenable except by true fanatics" due to poor recording quality, stating that the recording "should have remained legendary and unissued".
BBC reviewer Peter Marsh characterized Coltrane's solo performance during the song as "a gripping, restless examination of repeated phrases, accelerated at dizzying speed till they break up and regroup" and describes the performance as one having both "power and grace".
Many reviews of "Ogunde" give special attention to Sanders' performance in the extended version of the song. Don Heckman of the Los Angeles Times praised Sanders' performance, asserting that "Sanders is at his very best on 'Ogunde'". Beaudreau offered a mixed assessment, finding "Sanders’ endurance" to be "impressive" and his performance "attractive and admirable", but noting that the performance tests his "tolerance for extended and insistent shrill wailing" and that "the lack of warmth here leaves me out in the cold, so to speak".
Read more about this topic: Ogunde (song)
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