Episodes
| Title | Air date | Overview |
|---|---|---|
| "Too Close for Comfort" | 2 February | Jo learns that Rod's wife has left him, and he invites himself round to dinner, and when Cheryl spots him leaving Jo's office she soon starts the gossip. Also, Maxine tries to make sure her husband doesn't discover her affair with Simon. |
| "Old Bangers" | 9 February | Cheryl finds more reason to gossip when she spots Jo getting out of Rod's car, and Simon's strenuous denials of an affair land him in trouble with Maxine. |
| "Work Experience" | 16 February | The school that Jo's daughter Sam attends has been flooded, so Jo has to bring her to work, which annoys child-hating Maxine. Cheryl thinks that Jo is pregnant by Simon. The staff are trying to figure out why the splatter-gun toy is not selling, and Sam eventually solves the riddle, and exacts revenge on Maxine when the latter takes credit for it. |
| "Moving On" | 23 February | Rod meets a company lawyer who has a personal hygiene problem and when Simon decides to look for another job, Jo wonders whether Rod really appreciates her work. |
| "The Violin Lesson" | 2 March | When Rod is introduced to some European clients, he has to stop saying his opinions about the French, and Jo is annoyed when Rod gives Sam a violin. |
| "Lucky in Love" | 9 March | Jo joins a dating agency, and Rod plucks up the courage to leave his wife. Simon and Maxine have an argument. |
Read more about this topic: Office Gossip
Famous quotes containing the word episodes:
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)