Odyssey Number Five - Background, Recording, and Production

Background, Recording, and Production

In a 1999 interview, Powderfinger bassist John Collins hinted that the group's next album would be similar to their previous album, Internationalist, while frontman Bernard Fanning said in September 2000 that lyrics on the album, like those on "Waiting for the Sun", were his "most personal and direct yet". Fanning said his lyrics were based on the "obstacles in the way of being in a relationship, especially in our work situation".

Powderfinger worked with producer Nick DiDia on Odyssey Number Five, as they had done on Internationalist, finishing the album in August 2000 after six weeks of recording. The band spent this time ensuring higher quality songs than on Internationalist, which had featured out-of-tune guitars on "Passenger".

Odyssey Number Five was Powderfinger's shortest album when recorded, running for approximately 45 minutes. The focus of the album centered on restraint, with more simplistic lyrics than previously, and with a plain and simple message intended. Fanning said of his songwriting ethic: "You try and make it something that’s got some substance, but also, you can never do that at the cost of it having relevance to what you’re singing." Powderfinger manager Paul Piticco commented that "their ethos is to be pushing the limits of their songwriting ability".

Like Powderfinger's previous album Internationalist, Odyssey Number Five commented on social and political issues heavily, with the primary point of focus being Aboriginal affairs. The lyrics of "Like a Dog" attacked former Prime Minister of Australia John Howard's Liberal government for its treatment of Indigenous Australians, and for breaking the "relaxed and comfortable" promise he made in the Australian federal election, 1996. Lead singer Bernard Fanning related this to the band's other ethical stances—refusing to appear on Hey Hey it's Saturday, for its anti-gay commentary, or not allowing Powderfinger songs to be used in jingles, amongst others—stating, "We're not here to set an example. We just want to be happy with ourselves and not end up with a guilty conscience." Fanning said that despite "Like a Dog" being about a political issue, it was not a political song, rather just Powderfinger "voicing our opinions". The band worked with boxer Anthony Mundine on the song's music video, whom Fanning praised as "the perfect lead, in terms of what the song is about and the fact that he’s prepared to speak up for what he believes in."

As well as providing social commentary, Odyssey Number Five also discussed love, a recurring motif in Fanning's songwriting. Fanning noted that one of the causes of this was his passion for soul and gospel music, stating that he "listen to a lot of soul music that's unashamedly about love and how good it makes you feel". Lead guitarist Ian Haug agreed, and also noted that the band as a whole were fully committed to Fanning's lyrics, stating "It's really important for us to agree with what Bernard is singing."

Odyssey Number Five marked Powderfinger's first successful attempt to enter the United States market. Fanning told Billboard in a 2001 interview that the band were not taking anything for granted, however, stating, "In America, we haven't really done any work yet to deserve any major popularity", with the "vibes" on previous albums failing to reach the American mainstream. Powderfinger toured extensively around the country, performing in 22 cities. As a result of these efforts, "My Happiness" was briefly placed on rotation on KROQ-FM and several other radio stations. The song ultimately peaked at #23 on the Modern Rock Tracks chart. This success was assisted by the band appearing on the Late Show with David Letterman, and by supporting Coldplay on tour. Guitarist Darren Middleton summarised their work in the United States by stating "This year has been a bit of a blur."

Read more about this topic:  Odyssey Number Five

Famous quotes containing the word production:

    From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
    Charles Darwin (1809–1882)