O'Donnell Dynasty - Arms and Motto

Arms and Motto

The Roman Emperor Constantine the Great converted to Christianity after a vision before the famous Battle of the Milvian Bridge, having seen a chi-rho in the sky, and thence the motto In Hoc Signo Vinces, telling him he would be victorious with the sign of the cross. The chi-rho was adopted on a banner, the labarum, upheld on a vexillum, which resembled a Christian cross, and in time the motto became associated with the Cross all over Europe. Legend has it that St. Patrick struck the shield of Conall, son of King Niall of the Nine Hostages, with his crosier, called Bachall Isa (the staff of Jesus) inscribing thereon a sign of the cross and told him the same, and baptized him. According to the Life and Acts of Saint Patrick (chapter 138), commissioned by Sir John de Courcy and written by Jocelyn of Furness (c. 1185 AD), St. Patrick took his staff, known as the staff of Jesus, or Bacall Iosa, and struck the shield of Prince Conall, rendering a sign of the Cross on it, “et mox cum baculo suo, qui baculus Jesu dicebatur Crucis signum ejus scuto impressit, asserens neminem de stirpe ejus in bello vincendum qui signum illud”, and thus indicating that that he and his offspring would henceforth be victorious in battle if they followed that sign This legend is also described several centuries later in the Lebhar Inghine i Dhomhnaill. His land became Tír Chonaill, Tyrconnell, the land of Conall.

Conall's Constantinian shield, and this motto, have been the main O’Donnell arms in various forms, through the centuries. The motto also appears prominently placed as a motto on a ribbon unfurled with a passion cross to its left, beneath a window over the Scala Regia, adjacent to Bernini's equestrian statue of Emperor Constantine, in the Vatican. Emperors and other monarchs, having paid respects to the Pope, descended the Scala Regia, and would observe the light shining down through the window, with the motto, reminiscent of Constantine's vision, and be reminded to follow the Cross. They would thence turn right into the atrium of St. Peter's Basilica, ostensibly so inspired. In an earlier version (before Bernini's renovations in the mid-17th century), something similar may have resonated with and been observed by Prince Rory O'Donnell, 1st Earl of Tyrconnell following his visit to Pope Paul V (at the Palazzo Quirinale) in Rome, just prior to his death in 1608. It would certainly have resonated with and been observed by Cardinal Patrick O'Donnell.