Plot
Odin centers around the novice crew of the laser sailing space schooner Starlight as they embark on an historic interstellar test flight. They are intercepted by what seems to be a wrecked spaceship only to find that it contains a lone survivor; a young woman named Sara Cyanbaker. Unknown to the crew at this time, a mechanized space fleet approaches Earth and a scout vessel from that fleet was responsible for the destruction of Sara's ship.
Sara begins to have strange dreams about a place called Odin and a series of artifacts discovered on a lonely asteroid point to an ancient Norwegian mariner's folk song which mentioned the Norse god Odin. The crew decipher these artifacts and deduce that Odin may actually exist as a place, the paradise planet so often spoken of in mythology. The young crew is eager to make the journey but the captain and the ship's senior officers observe the need to follow the orders of Earth Command and return to Earth immediately. The crew mutinies and locks the senior officers in the officer's lounge and warp the ship to the location given in the artifacts. Upon arrival, the Starlight meet a cosmic being who appears before them in space. He identifies himself as Asgard and declares that he will block the gateway to paradise against corrupt beings of flesh and all other non-believers. As a result, the Starlight faces an almost endless swarm of mechanized attack ships. The Starlight crew successfully fights its way through to land on what appears to be a mechanized world only to face hordes of mechanized soldiers. Surviving the onslaught, Sara and the crew is horrified to learn that these soldiers are actually part living beings. A dying soldier hands a crew member a crystal memory chip and asks him to insert it into a computer display readout. Through it, the crew learn of the soldier's memories of Odin and the entire story of the alien people's exodus.
Read more about this topic: Odin: Photon Sailer Starlight
Famous quotes containing the word plot:
“There saw I how the secret felon wrought,
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And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
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—John Dryden (1631–1700)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)