Style
Eisenstein used the film to further develop his theories of film structure, using a concept he described as "intellectual montage", the editing together of shots of apparently unconnected objects in order to create and encourage intellectual comparisons between them. One of the film's most celebrated examples of this technique is a baroque image of Jesus that is compared, through a series of shots, to Hindu deities, the Buddha, Aztec gods, and finally a primitive idol in order to suggest the sameness of all religions; the idol is then compared with military regalia to suggest the linking of patriotism and religious fervour by the state. In another sequence Alexander Kerensky, head of the pre-Bolshevik revolutionary Provisional Government, is compared to a preening mechanical peacock.
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Famous quotes containing the word style:
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“A cultivated style would be like a mask. Everybody knows its a mask, and sooner or later you must show yourselfor at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (18901980)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)