Plot
The film opens with a short fragment outside the plot but clearly related on repeated viewings. Grainy, black-and-white, and silent, a title "Once Upon a Time" leads to Latino laborers picking coffee beans while armed foremen push rudely between them. One worker (McDowell with black hair and moustache) pockets a few beans ("Coffee for the Breakfast Table") but is seen by a foreman. He is next seen before a fat Caucasian magistrate who loses some saliva as he removes his cigar only to say "Guilty." The foreman pulls his machete and lays it across the unfortunate laborer's wrists, bound to a wooden block, revealing that he is to lose his hands for the theft of a few beans. The machete lifts, descends, and we see McDowell draw back in a silent scream. The scene blacks out, the word NOW appears onscreen and expands quickly to fill it.
During his journey, Travis learns the lesson, reinforced by numerous songs in the soundtrack by Alan Price, that he must abandon his principles in order to succeed, but unlike the other characters he meets he must retain a detached idealism that will allow him to distance himself from the evils of the world. Travis progresses from coffee salesman (working for Imperial Coffee in the North East of England and Scotland) to a victim of torture in a government installation and a medical research subject, under the supervision of Dr Millar (Crowden).
In parallel with Travis' experiences, the film shows 1960s Britain retreating from its imperial past, but managing to retain some influence in the world by means of corrupt dealings with foreign dictators. After finding out his girlfriend is the daughter of Sir James Burgess (Richardson), an evil industrialist, he is appointed Burgess' personal assistant.
With Dr Munda, the dictator of Zingara, a brutal police state which nevertheless manages to be a playground for wealthy people from the developed world, Burgess sells the regime a chemical called PL45 'Honey' for spraying on rebel areas (the effects resemble those of Napalm). Burgess connives at having Travis found guilty of fraud, and he is imprisoned for five years.
The film then cuts to five years on, when Travis has finished his sentence, become a model prisoner, and converted to Humanism. He is quickly faced with a bewildering series of assaults upon his new found idealism, culminating in a scene in which he is attacked by down and outs who he has been trying to help.
The final scene of the film shows him becoming involved in a casting call for a film, with Lindsay Anderson himself playing the director of the film. He is given various props to handle, including a stack of school books and a machine gun. When asked to smile Mick continually asks why. The director slaps Travis with his script book after he fails to understand what is being asked of him. After a cut to black (a device used throughout the film) a slow look of understanding crosses Mick's face. The scene then cuts to a party with dancing which includes all of the cast celebrating.
Read more about this topic: O Lucky Man!
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
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“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)