Films and Series
- Ace Ventura: Pet Detective (live-action film) (1994, co-production with Morgan Creek Productions and Warner Bros. Pictures)
- Ace Ventura: Pet Detective (animated series) (1995-2000, co-production with Morgan Creek Productions, Nelvana Limited, and Warner Bros. Pictures)
- Ace Ventura: When Nature Calls (1995, co-production with Morgan Creek Productions and Warner Bros. Pictures)
- Runaway Rocketboy (short film) (1998, co-production with DNA Productions)
- Jimmy Neutron: Boy Genius (feature film) (2001, co-production with DNA Productions, Nickelodeon Movies and Paramount Pictures)
- The Adventures of Jimmy Neutron: Boy Genius (2002–2006, co-production with DNA Productions and Nickelodeon)
- The Jimmy Timmy Power Hour Trilogy (2004-2006, co-production with DNA Productions, Frederator Incorporated and Nickelodeon)
- Thumbs! (short film collection)
- Kung Pow! Enter the Fist (2002, co-production with Twentieth Century Fox)
- Ring-Co
- Santa vs. the Snowman 3D (2002, co-produced with IMAX)
- Back at the Barnyard, (2007–2011, co-production with Nickelodeon) as Omation Animation Studio
- Barnyard: The Original Party Animals (2006) as Omation Animation Studio
- Planet Sheen (2010–2012, co-production with Nickelodeon) as Omation Animation Studio
- Stretch Armstrong
- High Strung
Read more about this topic: O Entertainment
Famous quotes containing the words films and, films and/or series:
“Films and gramophone records, music, books and buildings show clearly how vigorously a man’s life and work go on after his “death,” whether we feel it or not, whether we are aware of the individual names or not.... There is no such thing as death according to our view!”
—Martin Bormann (1900–1945)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)