Critical Reception
| #1s | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Pitchfork Media | (7.2/10) |
| Slant Magazine | |
| Sputnikmusic | |
| Yahoo! Music | |
Andy Kellman from Allmusic rated #1's four and a half stars out of five and wrote "the disc reaffirms that Destiny's Child released some of the biggest R&B singles of the late '90s and early 2000s." Slant Magazine's Sal Cinquemani criticized the album's title because only four of the singles — "Bills, Bills, Bills," "Say My Name," "Independent Women Part I" and "Bootylicious" — reached number one on the Billboard Hot 100. However, Cinquemani praised Destiny's Child's "impressive output, which includes some of the most recognizable R&B hits of the past bling/celly/status-obsessed five years". John A. Hanson of Sputnikmusic rated the album 3.5 out of 5 and summarized, "The album hits you with recognizable hit after recognizable hit, and they are all pretty much as perfect as contemporary R&B-pop gets." Yahoo! Music's Hattie Collins wrote, "Despite the low-points, this is a Destiny's Child must have collection of classics from one of R&B's most significant talents."
Read more about this topic: Number 1's (Destiny's Child Album)
Famous quotes containing the words critical and/or reception:
“The principle goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.”
—Jean Piaget (18961980)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)