Number 1 Record - Reception

Reception

Professional ratings
Review scores
Source Rating
Allmusic
Robert Christgau B+

On its release in June 1972, #1 Record immediately received widespread acclaim, and continued to do so for six months, although an inability by Stax Records to make the album available in stores meant it sold fewer than 10,000 copies. Record World called it "one of the best albums of the year", and Billboard commented, "Every cut could be a single". In a lengthy and positive review, Rolling Stone critic Bud Scoppa felt that while the music wasn't new, using "well-defined forms" such as those explored by the Byrds, Moby Grape, and had a Beatles influence, it was "exceptionally good", and compared well with those producing similar music such as Badfinger, the Raspberries and Todd Rundgren. Cashbox described it as one where "everything falls together as a total sound" and one which "should go to the top". The River City Review's reaction to the album was to state that "Big Star will be around for many moons".

An amusing bit of trivia on how poor Stax marketed the band is that some copies of the single "Watch The Sunrise" b/w "Don't Lie to Me" played "Thirteen" instead of "Watch The Sunrise", even though the label said "Watch The Sunrise".

Read more about this topic:  Number 1 Record

Famous quotes containing the word reception:

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)