Career
In 1975, Shange moved to New York City, where in that year her first and most well-known play was produced — For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf. First produced Off-Broadway, the play soon moved on to Broadway at the Booth Theater and won several awards, including the Obie Award, Outer Critics Circle Award, and the AUDELCO Award. This play, her most famous work, was a 20-part poem that chronicled the lives of Black women in the United States. The poem was eventually made into the stage play, was then published in book form in 1977, then made into a movie in 2010 (For Colored Girls, directed by Tyler Perry). Since then, Shange has written other successful plays, including an adaptation of Bertolt Brecht's Mother Courage and Her Children (1980), which won an Obie Award.
In 2003, Shange wrote and oversaw the production of Lavender Lizards and Lilac Landmines: Layla's Dream while serving as a visiting artist at the University of Florida, Gainesville.
Her individual poems, essays, and short stories have appeared in numerous magazines and anthologies, including The Black Scholar, Yardbird,
Read more about this topic: Ntozake Shange
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)