Nowhere Boy - Production

Production

The film was the directorial debut of conceptual artist/photographer Sam Taylor-Wood. The screenplay was written by Matt Greenhalgh, who also wrote the Joy Division film Control. It was shot on location in Liverpool, and at Ealing Studios in West London. Some of the interior school scenes were filmed at Sacred Heart Catholic College in Crosby. Following the announcement of the film, initial media accounts indicated that it would be based on the book Imagine This: Growing Up With My Brother John Lennon by Lennon's half sister Julia Baird. However, the credits for the completed film do not reference either the book or Baird, with sole writing credit accorded to screenwriter Matt Greenhalgh. The director consulted both McCartney and Yoko Ono about the script, with both firmly correcting the depiction of Mimi to be less strict and more loving of John.

The film received a National Lottery funding of ₤1.2 million from the UK Film Council Premier Fund, with an additional ₤35,500 from its Development Fund to create the script. The film also received a grant from Film4 (the film division of Channel 4).

Read more about this topic:  Nowhere Boy

Famous quotes containing the word production:

    “The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
    —Ernest Gellner (b. 1925)

    “An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
    —George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    “Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
    —Karl Marx (1818–1883)