Novodevichy Convent - Monuments

Monuments

The oldest structure in the convent is the six-pillared five-domed cathedral, dedicated to the icon Our Lady of Smolensk. Extant documents date its construction to 1524–1525; yet its lofty ground floor, magisterial proportions, and projecting central gable are typical of monastery cathedrals built at the behest of Ivan the Terrible. Most scholars agree that the cathedral was rebuilt in the 1550s or 1560s; it was formerly ringed by four smaller chapels, in an arrangement reminiscent of the Annunciation Cathedral in the Kremlin. Its frescos are among the finest in Moscow.

The cathedral may be a focal point of the convent, but there are many other churches. Most date from the 1680s, when the convent was thoroughly renovated at the behest of the regent Sophia Alexeyevna (who, ironically, would be incarcerated there later). The blood-red walls and crown-towers, two lofty over-the-gates churches, a refectory, and residential quarters were all designed in the Muscovite Baroque style, supposedly by a certain Peter Potapov. In the old cathedral, a new bowl for holy water and gilded carved iconostasis were installed in 1685. Its four tiers contain 16th-century icons endowed by Boris Godunov; the fifth tier displays icons by leading 17th-century painters, Simeon Ushakov and Fyodor Zubov.

An arresting slender belltower, also commissioned by Sophia, was built in six tiers to a height of 72 metres (236 ft), making it the tallest structure in 18th-century Moscow (after the Ivan the Great Bell Tower in the Kremlin). This light octagonal column seems to unite all major elements of the ensemble into one harmonious whole.