Not Without A Fight - Composition

Composition

The album's overall sound was seen as a "return to form", going back to the band's faster and energetic roots. This was mainly because previous album, Coming Home, was viewed as a more mellow, mid-tempo and sentimental record. Fans made comparisons with the band's eponymous second album, while critics often noted a growing maturity. Bill Lamb of About.com wrote that the album contains, "choppy guitars and emotional choruses", and predicted that, "fans of their older work will be pleased." Mike Demante of the Houston Chronicle reported that, "Not Without a Fight is full of those catchy choruses and gang vocals that fans have come to love. The album is a return to form, whilst still incorporating the indie-rock of its Geffen records’ swan song, Coming Home, and last year’s melodic hardcore EP Tip of the Iceberg." Brendan Manley of Alternative Press said that, "opening track, “Right Where We Left Off,” builds upon a chunky guitar riff that recalls classic NFG, yet surprises with smart, subtle rhythmic twists. NFG’s true maturity though, shines in the album’s skillful composition that offers up instant classics like “Heartless At Best”." The A.V Club critic Aaron Burgess was in agreeance; "Maturity remains a guiding principle on Not Without A Fight—the band strikes a keen balance between hard-hitting, soft-hearted, youthfully exuberant, and all grown up." Kelly Knickerbocker of the Dallas Observer also noted, "Heartbreak bodes well for creative processes, it seems. Not Without A Fight is full of performances by pissed-off dudes who are taking it back to their roots: raw punk-pop, with crafty and sometimes cynical lyrics."

The metaphor for the album title was described by Gilbert as "our personal war and the wars that you have in relationships with your loved ones. When you want something bad enough in life you have to fight for it. That’s like with our band. We love being in this band, and we’ll do whatever it takes to continue." Drummer Cyrus Bolooki further explained, "I think it just kind of goes in with the whole idea that we've been around for a while, and we really feel like a resurgence for us that after eleven years now we're still relevant. We're on tours with bands like Four Year Strong, A Day To Remember and you know, a lot of these bands maybe first got into bands like us, so it's almost like another generation." Musically, Gilbert explained that unlike the harmony-driven Coming Home, the band wanted to return to a more energetic style both because of the embittered lyrics and the need to translate songs live. "We love Coming Home, but live we couldn't really rock out to them. And that's what we love. So I think naturally I was wanting rhythms that I knew I'd have fun playing live." He supported this by explaining the bands desire to alternate between albums; "Every album New Found Glory’s released is different in its own way, and we’ll continue to work that way. When we write albums, whatever comes out, comes out. We’re always real, and I think that’s why we still have the fans we do." Much of the lyrical themes also come in contrast to Coming Home, largely due to divorces that Pundik and Gilbert went through since writing the previous album, as well as their departure from Geffen Records. Most topics deal with reflection and bitterness towards the former relationships. Gilbert found the best way to express these emotions was to revisit the fast-paced style of the band’s earlier days. "The truth of the matter is that when we did Coming Home we were all in love. I was engaged, Jordan was engaged, But since that time my relationship failed, Jordan's relationship failed and going into this record we had a lot of angst. We didn't aim to make a faster, more energetic record. That's just what really came out because of our natural emotion."