Influence On Musicians
Northern soul has influenced several notable musicians. Terry Christian — in his 2008 article about northern soul for The Times — wrote: "There's an instant credibility for any artist or brand associated with a scene that has always been wild, free and grassroots."
- Soft Cell had chart success in the early 1980s with covers of two popular northern soul songs, "Tainted Love" (originally recorded by Gloria Jones) and "What?" (originally recorded by Judy Street). Soft Cell member Dave Ball used to occasionally attend soul nights at Blackpool Mecca and Wigan Casino.
- Moloko's video for "Familiar Feeling" is set against a northern soul backdrop and was directed by Elaine Constantine, a longstanding northern soul enthusiast. The video was choreographed by DJ Keb Darge, who rose to prominence at the Stafford Top Of The World all-nighters in the 1980s.
- The music video for Duffy's 2008 song "Mercy" features Duffy singing on a platform, accompanied by northern soul dancers performing elaborate moves.
- Plan B’s 2010 album, The Defamation Of Strickland Banks displays a significant northern soul influence. The video for "Stay Too Long" features northern soul-style dance moves such as spins, flips and backdrops. The album sleeve features northern soul-style sew-on patches.
Read more about this topic: Northern Soul
Famous quotes containing the words influence and/or musicians:
“They tell us that women can bring better things to pass by indirect influence. Try to persuade any man that he will have more weight, more influence, if he gives up his vote, allies himself with no party and relies on influence to achieve his ends! By all means let us use to the utmost whatever influence we have, but in all justice do not ask us to be content with this.”
—Mrs. William C. Gannett, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 5, ch. 8, by Ida Husted Harper (1922)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)