Norman Lear - Political and Cultural Activities

Political and Cultural Activities

In addition to his success as a TV producer and businessman, Lear is an outspoken supporter of First Amendment and liberal causes. The only time that he did not support the Democratic candidate for President was in 1980: he voted for John Anderson because he considered the Carter administration to be "a complete disaster".

In 1981, Lear founded People For the American Way, a civil liberties advocacy organization. People For ran several advertising campaigns opposing the interjection of religion in politics. In 1987, People For campaigned against Robert Bork's nomination to the Supreme Court of the United States. The organization is still active.

In 1989, Lear founded the Business Enterprise Trust, an educational program that used annual awards, business school case studies, and videos to spotlight exemplary social innovations in American business. In 2000, he provided an endowment for a multidisciplinary research and public policy center that explored the convergence of entertainment, commerce, and society at the University of Southern California Annenberg School for Communication. It was later named the Norman Lear Center in recognition.

Lear serves on the National Advisory Board of the Young Storytellers Foundation. He has written articles for The Huffington Post.

Lear is a trustee emeritus at The Paley Center for Media.

Read more about this topic:  Norman Lear

Famous quotes containing the words political, cultural and/or activities:

    An inquiry about the attitude towards the release of so-called political prisoners. I should be very sorry to see the United States holding anyone in confinement on account of any opinion that that person might hold. It is a fundamental tenet of our institutions that people have a right to believe what they want to believe and hold such opinions as they want to hold without having to answer to anyone for their private opinion.
    Calvin Coolidge (1872–1933)

    Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after the forms of life, thought, custom, knowledge, art.
    Johan Huizinga (1872–1945)

    ...I have never known a “movement” in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various “uplifting” activities in the theater are people who are astoundingly lacking in idealism.
    Minnie Maddern Fiske (1865–1932)