Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns

Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns is a studio album recorded by American musicians Norman Blake, Tut Taylor, Sam Bush, Butch Robins, Vassar Clements, David Holland, and Jethro Burns. It was released in 1975.

From Hank Deane's original liner notes: "Hey, let's do a record in Nashville with everybody. "And Jethro Burns", says Sam. OK, all right, let's do it. I fly to Nashville to see Claude Hill and we do it."

Read more about Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns:  Reception, Track Listing, Personnel

Famous quotes containing the words holland, david, vassar, norman, bush, sam, taylor, blake and/or burns:

    Naggers always know what they are doing. They weigh up the risks, then they go on and on and on until they get what they want or until they get punched.
    —Jools Holland (b. 1958)

    He had a whole heaven and horizon to himself, and the sun seemed to be journeying over his clearing only the livelong day.
    —Henry David Thoreau (1817–1862)

    I saw the best minds of my generation
    Reading their poems to Vassar girls,
    Being interviewed by Mademoiselle.
    Having their publicity handled by professionals.
    When can I go into an editorial office
    And have my stuff published because I’m weird?
    I could go on writing like this forever . . .
    Louis Simpson (b. 1923)

    Madam, you’re making history. In fact, you’re making me and I wish you’d keep my hands to yourself.
    S.J. Perelman, U.S. screenwriter, Arthur Sheekman, Will Johnstone, and Norman Z. McLeod. Groucho Marx, Monkey Business, a flirtatious remark while trying to make love to Lucille Briggs (Thelma Todd)

    ...I remembered the rose bush that had reached a thorny branch out through the ragged fence, and caught my dress, detaining me when I would have passed on. And again the symbolism of it all came over me. These memories and visions of the poor—they were the clutch of the thorns. Social workers have all felt it. It holds them to their work, because the thorns curve backward, and one cannot pull away.
    Albion Fellows Bacon (1865–1933)

    Well, it’s early yet!
    Robert Pirosh, U.S. screenwriter, George Seaton, George Oppenheimer, and Sam Wood. Dr. Hugo Z. Hackenbush (Groucho Marx)

    O! the one Life within us and abroad,
    —Samuel Taylor Coleridge (1772–1834)

    For Mercy has a human heart,
    Pity, a human face;
    And Love, the human form divine,
    And Peace, the human dress.
    —William Blake (1757–1827)

    O pale, pale now, those rosy lips,
    I aft hae kissed sae fondly;
    And closed for ay, the sparkling glance
    That dwalt on me sae kindly;
    And moldering now in silent dust
    That heart that lo’ed me dearly!
    —Robert Burns (1759–1796)