Career
Ephron graduated from Wellesley College in 1962 and worked briefly as an intern in the White House of President John F. Kennedy.
After a satire she wrote lampooning the Post caught the editor's eye, Ephron landed a job at the New York Post, where she stayed as a reporter for five years. In 1966, she broke the news in the Post that Bob Dylan had married Sara Lownds in a private ceremony three-and-a-half months before. Upon becoming a successful writer, she wrote a column on women's issues for Esquire. In this position, Ephron made a name for herself by taking on subjects as wide-ranging as Dorothy Schiff, her former boss and owner of the Post; Betty Friedan, whom she chastised for pursuing a feud with Gloria Steinem; and her alma mater Wellesley, which she said had turned out a generation of "docile" women." A 1968 send-up of Women's Wear Daily in Cosmopolitan resulted in threats of a lawsuit from WWD.
While married to Bernstein in the mid-1970s, at her husband and Bob Woodward's request, she helped Bernstein re-write William Goldman's script for All the President's Men, because the two journalists were not happy with it. The Ephron-Bernstein script was not used in the end, but was seen by someone who offered Ephron her first screenwriting job, for a television movie.
In 1994, she was awarded the Women in Film Crystal Award. Ephron's 2002 play Imaginary Friends explores the rivalry between writers Lillian Hellman and Mary McCarthy. She coauthored the play Love, Loss, and What I Wore (based on the book by Ilene Beckerman) with her sister, Delia and it has played to sold out audiences in Canada, New York City, and The Geffen Playhouse in California.
Read more about this topic: Nora Ephron
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)