Production
According to the director KÅichi Mashimo, he envisioned Noir and Madlax as part of a trilogy exploring the girls-with-guns genre, and soon after the release of the latter, he confirmed having plans to produce the third installment, which would later become El Cazador de la Bruja.
For Mireille's personal sidearm, Mashimo wanted a gun with "a more modern image", therefore the production staff decided on the Walther P99. After considering several compact pistols, including the Walther PPK and the Glock 26, for Kirika's personal sidearm, the Beretta M1934 became the weapon of choice, because of its "classic, European feel" that suited the premise of the series' story. Because of the organization's premise, European guns were chosen for the members of Les Soldats. The assassins in black suits that are sent after the protagonists throughout the series all carry the SIG Pro 2340, which at the time of production was the newest model of its line, while other members were given increasingly older weapons, depending on the member's rank.
According to producer Shigeru Kitayama, Kotono Mitsuishi's voicing of Mireille was a continuation of the working relationship they had from creating Excel Saga, where Mitsuishi voiced the protagonist Excel.
Read more about this topic: Noir (anime)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)