Composition
Nobody's Perfect is a song with the length of three minutes and twenty seconds. The song is written in the key of C-minor with Cyrus'/Hannah Montana's vocal spanning two octaves from C4 to D5. Written by former Hannah Montana collaborators, Matthew Gerrard and Robbie Nevil, the song talks about how no one is perfect and it's okay to make mistakes. It was first featured on the special edition of Hannah Montana, then served as the first single for Hannah Montana 2. The live performance featured on the Hannah Montana special edition soundtrack is the music video for this song and is featured as such on the official Hannah Montana Vevo on YouTube. Within the Hannah Montana storyline, "Nobody's Perfect" was written by Miley Stewart's father Robby. The song is first heard in the episode "Get Down, Study-udy-udy" (204) where Miley reworks the song into the "Bone Dance" as a way of helping her study for a biology mid-term exam. The song is praised by the Jonas Brothers in the episode Me and Mr. Jonas and Mr. Jonas and Mr. Jonas (217), with Kevin calling it "genius."
Read more about this topic: Nobody's Perfect (Hannah Montana Song)
Famous quotes containing the word composition:
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)