Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AbsolutePunk | 89% link |
| Allmusic | |
| Drowned in Sound | 8/10 |
| Exclaim! | favorable |
| Pitchfork Media | 8.1/10 link |
| PopMatters | 8/10 |
| Orlando Weekly | favorable link |
| Stylus Magazine | B+ link |
| Sputnikmusic | 4.5/5 link |
No Heroes was given 8.1/10 by Brandon Stosuy of Pitchfork Media as he said "Conceptually reminiscent of the way Orthrelm's OV rocked socks within a tight framework, No Heroes is one of the year's most musically cohesive ways to keep pulses beating rapidly."
Sam Roudman of Stylus Magazine gave the album a B+ by stating "As Converge have been instrumental in the expansion of the contemporary hardcore vocabulary—embracing music signifiers previously under the dominion of metal or grind—this return to roots makes this album something of a homecoming."
Notably, No Heroes received a 4.5 out of 5 from staff reviewer Jared W. Dillon, commenting that "No Heroes is completely successful in delivering a great array of extremely heavy music", while another staff reviewer, Nick Butler, gave the album 1.5 out of 5, commenting that "I'll undoubtedly get flamed to hell for this, but if No Heroes isn't the worst album I've heard in 2006, it's certainly the least enjoyable", making it one of the uncommon instances where two staff reviewers almost completely disagree with each other.
Read more about this topic: No Heroes
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)