Career
Bose's first venture in film direction was a documentary film on Belgian Emperor's visit to India (1921).
Bose started his film career as a cinematographer in 1926 in the movie Punarjanma. His debut as cinematographer under New Theatres banner was in the movie Devdas (1928). He was cinematographer of the only film directed by Rabindranath Tagore: Natir Puja (1932), which was based on a dance-drama composed by Tagore.
Bose worked closely with director Debaki Bose, but then Debaki Bose temporarily left New Theatres to Madan Theatres for making Seeta(1934). At this time, producer of New Theatres, B. N. Sircar asked Nitin Bose to venture into film direction. Bose started with remaking of Debaki Bose's Chandidas in Hindi (1934).
His 1935 film Bhagya Chakra was the first Indian film to use playback singing. The singers were K C Dey, Parul Ghosh and Suprabha Sarkar. The movie was remade in Hindi with the title Dhoop Chhaon, which was the first Hindi film to use playback singing. It was Bose who came up with the idea of playback singing. He discussed with music director Raichand Boral and Bose's brother Mukul Bose, who was the sound recordist in New Theatres, implemented the idea.
During the making of Kashinath (1943), Bose had a misunderstanding with B N Sircar. After completion of the film, he did not go back to New Theatres, with which he was associated since it was established in 1931. Eventually, Bose moved to Bombay and Sircar closed New Theatres.
Bose's first movie under Bombay Talkies banner was Naukadubi (1947), based on Tagore's novel of the same name. Hindi version of this film was named Milan, in which Dilip Kumar acted in the lead role., and the Bengali version had Abhi Bhattacharya in the lead. His next film Drishtidan (1948) introduced Uttam Kumar, who later became superstar of Bengali Cinema.
In 1960s, Bose directed a number of movies under the banner of Filmistan. Ganga Jamuna (1961), directed by Bose, is considered one of the all-time blockbusters of Indian Cinema.
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