Plot
Ninja Gaiden features a ninja named Ryu Hayabusa who seeks revenge for the death of his father and then finds himself involved in a sinister plot that threatens the entire world. The story opens with Ryu's father Ken being killed in a duel by an unknown assailant. After the duel, Ryu finds a letter written by Ken which tells Ryu to find an archeologist named Walter Smith in America. Before Ryu can find Walter, Ryu is shot and kidnapped by a mysterious woman; she hands him a demonic-looking statue before releasing him. Ryu then finds Walter, and Walter tells him of the demon statues he and Ken had found in the Amazon ruins. Walter tells Ryu of an evil demon that "SHINOBI" defeated and whose power was confined into two "Light" and "Shadow" demon statues. Ryu shows Walter the "Shadow" demon statue given to him from the woman, but during their conversation, a masked figure suddenly breaks into the cabin and steals the Shadow statue. Ryu gives chase, defeats the masked figure, and retrieves the statue; but when he returns he finds that Walter is dying and the Light statue is missing. Right after Walter dies, three armed men confront Ryu and tell him to come with them.
Ryu is taken to an interrogation room, where he meets Foster, head of the Special Auxiliary Unit of the Central Intelligence Agency. Foster tells Ryu about an over 2000-year-old temple Walter discovered in some ruins in the Amazon. He continues by saying that Walter, one day, mysteriously sealed the ruins, in which nobody has since ventured near. Foster explains to Ryu that they have been monitoring the activity of someone named Guardia de Mieux, also known as "the Jaquio", who recently moved into the temple. Using the statues, the Jaquio plans to awaken the demon and use it to destroy the world. Foster asks Ryu to go to the temple and eliminate him. After making it into the temple, Ryu discovers that the Jaquio is holding captive the woman who handed him the "Shadow" statue earlier. He orders Ryu to give up the demon statue after threatening the woman's life. Ryu is then dropped from sight through a trapdoor and into a catacomb.
After fighting his way back to the top of the temple, Ryu encounters Bloody Malth, whom Ryu defeats. While dying, Malth reveals that he was the one who dueled with Ryu's father, that his father is still alive and that Ryu will meet him as he presses onward. When he reaches the temple's inner chambers, he discovers that his father was not killed but was instead possessed by an evil figure. He destroys the evil figure, which releases Ken from its hold. Jaquio, enraged from Ken's release from the possession, shows himself; he immediately tries to kill Ryu with a fiery projectile, but Ken throws himself in front of Ryu and takes the hit. Jaquio is killed during the ensuing fight by Ryu, but then a lunar eclipse occurs, causing the demon statues to transform into the demon. After Ryu defeats the demon, Ken tells him he does not have much longer to live due to Jaquio's attack. He tells Ryu to leave him behind in the temple while it collapses and to take the woman with him. Afterwards, Foster, communicating via satellite, orders the woman to kill Ryu and steal the demon statues; she chooses to be with Ryu instead of carrying out the order. The two kiss, and the woman tells Ryu her name, Irene Lew; the two watch as the sun rises.
Read more about this topic: Ninja Gaiden (Nintendo Entertainment System)
Famous quotes containing the word plot:
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)