Nineteenth-century Theatre - Well-made Play

Well-made Play

In France, the "well-made play" of Eugene Scribe became popular with playwrights. Its structure was employed by realist playwrights Alexandre Dumas, fils, Emile Augier, and Victorien Sardou. Sardou was one of the world's most popular playwrights between 1860 and 1900. He adapted the well-made play to every dramatic type, from comedies to historical spectacles. George Bernard Shaw thought that Sardou's plays epitomized the decadence and mindlessness into which the late 19th-century theatre had descended, a state that he labeled "Sardoodledom".

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