Film
On April 12, 2007, Variety announced that Rob Marshall would direct a feature film adaptation of Nine for the Weinstein Company. Marshall had previously directed Chicago for the Weinsteins while they were still at Miramax. The screenplay is written by Anthony Minghella with Michael Tolkin serving as an uncredited co-scripter. The cast consists of Academy Award winners Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Judi Dench, Nicole Kidman, and Sophia Loren, with Academy Award nominee and Golden Globe winner Kate Hudson and Grammy winning singer Fergie. Among other cast changes in the film version, the character of Mama Maddelena does not appear, and Claudia's surname was changed from Nardi to Jenssen. The film's final coda is more hopeful and optimistic than the stage version. In addition, director Marshall cut most of the original production's score, with only "Overture delle Donne," "Guido's Song," "A Call from the Vatican," "Folies Bergeres," "Be Italian," "My Husband Makes Movies," "Unusual Way," and an extended version of "I Can't Make This Movie" making it into the final edit of the film. Composer Maury Yeston wrote three new songs for the movie including "Cinema Italiano," "Guarda la Luna" to replace the title song, and "Take It All" in place of "Be On Your Own," as well as the instrumental concluding the film. The film is co-produced by Marshall's own production company Lucamar Productions. The film was released in the US on December 18, 2009 in New York and Los Angeles and opened for wide release on December 25, 2009.
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Famous quotes containing the word film:
“His education lay like a film of white oil on the black lake of his barbarian consciousness. For this reason, the things he said were hardly interesting at all. Only what he was.”
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“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
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